Genève | Quai du Mont-Blanc | 50 pieces Limited Edition | Poster-Art
Genève | Quai du Mont-Blanc | 50 pieces Limited Edition | Poster-Art
Genève | Quai du Mont-Blanc | 50 pieces Limited Edition | Poster-Art

Genève | Quai du Mont-Blanc | 50 pieces Limited Edition | Poster-Art

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Genève | Quai du Mont Blanc | Latécoère 631

Artist: Robert Topulos

Edition: Limited to 50 signed art prints

Geneva, on the 12th June 1948, a Latécoère 631 is about to land on the ''lac Léman''. This giant french seaplane is the last one to be used on a commercial transatlantic line. 

With 54 passengers on board, the Laté had a maximum speed of 417km/h and an autonomy of 6000km. The seaplane stayed 3 days in Geneva before being assigned to the liaison with the West Indies (Antilles) on a 26 hours flight. After a stopover of four hours necessary for refueling 32'000 liters of gasoline, the aircraft began its transoceanic flight of 4'700 km to Antilles. Most often, it hardly flew above 2'500 meters and its operating speed varied between 280 and 300 km/h.

Given the time difference, the arrival at destination took place in the early morning two days after the day of departure. Air France understood that with such flight times this aircraft could only compete with liners by offering passengers a certain comfort and luxury. A round trip costed 117'000 french francs (at the time) an equivalent of 6'000 CHF today. The aircraft had forty-four leather seats convertible at night into beds with sheets and blankets, divided into cabins of two or four passengers each separated by curtains, a majority of them with sinks. It also included a luxurious bar, unfortunately located next to the propellers in the maximum noise zone.

LAST UP TO 100 YEARS


Technique: Atelier WOCS artworks are produced by a remarkable process that yields the finest quality graphic reproductions available today. The Giclée prints are fine art prints that will last up to 100 years with proper handling and protection from direct sunlight. Our prints are created with archival fade resistant pigmented inks. They have a wider color gamut, deeper saturated colors, impossible to achieve in ordinary lithographic or serigraphic printing processes. These museum-quality prints allow to reproduce original colors with stunning fidelity.

Archival paper: Our Hahnemühle 308 gsm archival paper meets the highest standards for fine art applications and is perfect for special editions. It achieves outstanding printing results and a high age resistance of over 100 years. It comply with the ISO 9706 norm, standard criteria for international museums and galleries. Specially manufactured natural wool felts give the artworks their unique surface texture, providing a three-dimensionality that enhances the visual effect thanks to an incredible depth.

Authenticity: Our limited edition prints are signed, numbered, include a discrete embossment with the Atelier authentication and come with handwritten certificates of authenticity.

 

A SOLID EXPERTISE

Frames: Our tailored frame are provided by Atelier Pierre Rosso in Geneva, Switzerland. With solid expertise in handling artworks for international galeries and museums, including painting restoration, the Atelier offers premium quality service and a large range of frames and glasses with anti-glare and anti-UV (92%) ensuring maximum longevity to the artworks.


Transport: Rolled artwork are transported in a rigid protective carton box wrapped in a layer of silk tissue paper and bubble layer ensuring a safe express transportation. Framed artwork are delivered in a sur-mesure wooden crate built exclusively for the artwork (optional). 

 



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